An Evening With a Gentle Madman

November 1st, 2008

Last Thursday evening, I attended a lecture (i.e. talk)
by Nicholas Basbanes at the Vancouver Museum. It
was a memorable event.

Nicholas Basbanes is perhaps the leading modern
proponent and chronicler of the “book culture” of
the Western World. His books, including “A Gentle
Madness”, “Patience & Fortitude”, “Among the
Gently Mad”, “A Splendour of Letters”, “Every Book
Its Reader”, and “Editions & Impressions” are
engrossing studies of the history of the book, the
power of the book and the talents, passions and
idiosyncrasies of the myriad of people intimately and
obsessively involved in the book world, including
booksellers, collectors and librarians of yesteryear
and today.

As I listened to Basbanes relate several of the
fascinating stories included in his writings, I felt his
enthusiasm and dedication to books flow through
me, revving up my own engines of book lust and
invoking my personal passion to get out there and
discover many more books of importance and rarity.
And it wasn’t just a desire to find more great books,
for myself and others, but also a need to read more
great books, read about more great books and
about great book collections.

As I said to Nick after he’d finished speaking, “I
always enjoy listening to someone who knows more
about books than I do”. After thirty-five years in
the book business, one thing I know for sure…
there’s so much more to learn. Listening to Nick
Basbanes and looking through the books he has
written merely confirms the notion.

Nick’s first book, which took eight years for him
to research and write, “A Gentle Madness:
Bibliophiles, Bibliomanes, and the Eternal Passion
for Books”, was first published in 1995 and it has
gone through nearly twenty printings and sold more
than 250,000 copies. When I heard that Nicholas
Basbanes was coming to Vancouver, I searched
my “books on books portion” of my personal library
for my copy of  “A Gentle Madness” which I had
purchased five or six years ago. I thought that I
had a first printing of the book, but when I’d
located it and opened it, I discovered that I actually
owned a second printing. Oh well, it would still
be nice to have it signed. Thus, I took it along when
I went to hear its author speak in Vancouver.

When I told Nick about having a second printing
when I thought I had a first, he commented that
actually the second printing was more scarce. In
surprising manner, the first printing of 5800 copies
sold out quickly, and a second printing of just
900 copies was rushed onto the market to fill
the void. He also pointed out to me two full pages
and parts of two other pages of text that were
removed from the book by the publisher before
the third printing was issued and the deleted text
never appeared in any subsequent editions. If
you’re a bibliophile like me, you eat up this stuff!

Then, Nick asked if I’d like my copy to be certified
a “first printing”? I said, “Sure!” He proceeded to
turn to the copyright page and he added a “1″ and
an asterisk to the end of the number line. Below,
with asterisk, he added the note:
“I hereby declare this an official First Edition”
and added his initials.

Nick asked me next if I wanted a signature or an
inscription (some author’s today will only offer an
inscription because it makes the book somewhat
less saleable than with just a signature) and I said
that since this volume was remaining in my personal
library, that I’d welcome an inscription.

I gave Nick my name and jokingly said that I
like to tell people that my ancestors “manned the
stills”. So this is what Nick wrote:
“For Terry Stillman–
Bookseller in Vancouver–a man whose
ancestors “manned the stills” (this from a man
whose name in Greek is “winemaker”–
with regards and best wishes
for many years of happy hunting.
Nick ”
I laughed when I’d seen what he had written
and said, “We make a great pair. Who’s
buying the first round?”

Nick then proceeded to write his full name on
the title page, plus place and date. When he got
to the date, he confirmed with me that it was
the 30th. I said yes, I’d remarked to his wife
that tomorrow was Halloween and they would
be spending it in Victoria. So Nick added in
brackets “(Day Before Halloween)”. He’s a
literal guy, and I said, “gee, you must make
copious notes when you’re researching”!
At any rate, that’s one special copy I now
have of “A Gentle Madness”.

Constance (Connie) Basbanes, Nick’s lovely
and vivacious wife, although not a book
collector herself, is obviously a good sport
as she has to cope with her husband’s
“houseful of books” that has accumulated
over the years. Connie and Nick write a
monthly review of children’s books for
Literary Features Syndicate which they
established in 1993. They are both dedicated
to the encouragement of reading in young
people. With their first grandchild on the way,
I can only assume that lucky girl or boy is
going to have one heck of a personal library.
Connie mentioned that there were lots of
children’s books in the house, so I suggested
that birthdays and holidays wouldn’t just mean
a gift of one or two books. Connie said “No,
I’ll be giving them by the box!”

Check Nicholas Basbanes’ website:
www.nicholasbasbanes.com
or,
www.agentlemadness.com

Nick’s most recent book, “A World of Letters:
Yale University Press, 1908-2008″ is being
released this month. Nick received a few
Advance Copies while he was visiting Vancouver
this past week.

Nick and Connie, it was so great meeting you
both, and thanks for the wonderful evening. Too
bad you live all the way over there in Massachusetts;
I wouldn’t mind seeing that cellar of books.

Please take some time to visit my website:
www.stillmanbooks.com
for hard-to-find children’s books, aviation,
Canadiana and more.

Remember, the only book purchase you’ll
ever regret will be the one you didn’t make.

Talk soon.

A Practical Guide to Owning and Operating a Used Bookstore

October 27th, 2008

Chapter One: Getting Started
Originally published in the October 9, 1995 issue of
AB Bookman’s Weekly, a Magazine for the specialist
book world.

To see this first chapter of advice for aspiring first-timers
entering the used-book business, follow this link to my
website:
www.stillmanbooks.com/bookstore1stchapter.htm

Although it is thirteen years old, I think that the advice
in this series of articles is still relevant today. Therefore,
I’ve reprinted the first chapter in its original form, with
the exception of a couple of Author’s Notes regarding
dollar figures and popular authors.
For instance, in the 1995 publication, I suggested that
$25,000 to $30,000 would be an appropriate amount
for setting up a used-book store. I’ve added the
following caveat:
(Author’s Note: 2008 equivalent for setting up a used-book
store, probably $75,000-$100,000.)

Seven more chapters to follow over the next few weeks.
I hope you enjoy them and perhaps derive some practical
use from them.

Please visit my website for the opportunity to choose
from more than 3000 unique books:
www.stillmanbooks.com

Remember, the only book purchase you will
ever regret is the one you didn’t make.

Talk soon.

Update and Book Reviews

October 19th, 2008

For any of you who have been paying attention,
you’ve noticed that I haven’t begun reprinting my
book on opening and operating a bookstore. Turns
out it’s a little more work than I had considered,
mainly because I’d forgotten that I had prepared
it long before I had a computer, on my reliable
1960’s Royal typewriter, so I don’t have any
handy files that I can just “copy and paste”. I
actually have to retype the whole damn thing
into my computer in order to put it on my blog,
or at least on my website so I can link it to
my blog.

You guessed it: I’ve been dragging my feet,
putting it off, saving it for later. I am going to
try, really try, to have the first chapter typed
up and available by a week tomorrow at the
latest. So, for those who are interested, check
back then.

The other reason that I haven’t found the time
to retype even the first chapter is that I’ve been
working at The Jolly Olde Bookstore in Port
Moody–firstly two days a week, then three, then,
for the past three weeks, four days a week.
Working there has been satisfying, productive,
and remunerative, but time-consuming.

The owner, Brian Sword, and I and the other
staff have been reorganizing, expanding, and
improving the store over what it was like a
year ago. It’s getting better and better every
month and attracting new customers literally
every day. If you live in or are visiting anywhere
in the Greater Vancouver area and you like
books, you owe it to yourself to pay us a
visit. The store’s in a lovely heritage building
at 2419 Clarke St. in Port Moody, along the
railway tracks, and it’s open seven days a week.

Review of Exit Music by Ian Rankin

After having it sit on my “to-read shelf” for several
months, I decided to get to it and finish off the
Scottish crime fiction saga featuring Detective
Inspector John Rebus; “Exit Music” being his
swan song. Now that I’ve read it, there’ll be no more
Rebus books to anticipate and to savour; at least
not until 2014, when his author has stated that he
may bring Rebus back on board as a consultant.
Rebus would be sixty-eight by then, if he doesn’t
drink himself to death in the meantime.

Predictably, Exit Music is another good read from
Ian Rankin. Our three main characters are here, as
well as a few we’ve met before and a couple of
newcomers. DS Siobhan Clarke is slowly and
competently taking over the reins of the two
related murder investigations in progress as Rebus’s
last day looms large. Big Ger Cafferty floats in and
out of the picture, irritating the hell out of Strawman.

Not surprisingly though, Rebus still has considerable
input in the solving of both cases, despite being
somewhat handicapped by his latest and last
suspension from duty.

Exit Music is another dark, seedy story that Rankin
fans are sure to enjoy, although saying goodbye to
our old friend, John Rebus, as he reluctantly accepts
retirement, is a sad ending indeed. No doubt I’m
speaking for many of you when I say that in a year
or two, I’ll probably begin reading the Rebus books
over again, in anticipation of his resurrection in 2014.

Review of Missing Justice by Alafair Burke

Yes, if you’ve read the novels of James Lee Burke
featuring Dave Robicheaux, then the name “Alafair
Burke” is going to sound familiar. The first name is
the same as Robicheaux’s adopted daughter, and,
of course, the last name could make Alafair Burke
the daughter of James Lee, which it does.

Two of my customers whom I turned on to the
writing of James Lee Burke each said that she had
read one of Alafair’s books and was disappointed.
It just didn’t measure up to her father’s books.
Because of their less than stellar comments, I did
not expect that I would enjoy a book by Alafair
either.

Alafair Burke’s debut novel wasn’t available so I
read her second novel, “Missing Justice”, a pun on
the disappearance of a Portland Oregon Judge.
Alafair is a former Deputy District Attorney in
Portland and her character, Samantha Kincaid
has been recently promoted to Deputy District
Attorney in Portland. As they always say: “write
about what you know”; so Alafair has started
off right. Also, there’s no question that she can write.
Her prose doesn’t have the visual impact of
her father’s, but I certainly found the book
interesting enough to finish.

I liked Samantha Kincaid, but my one criticism
of her is that she tried to do way too much on her
own, instead of–as a Deputy District Attorney
would probably do–directing the police to follow
the clues and take the risks. But then that seems
to be the fault of a lot of modern heroines. Having
said that, I’m looking forward to going back and
reading Alafair’s first book, “Judgment Calls”,
and any more recent titles.

So, sorry ladies, I don’t totally agree with you.
Alafair Burke’s writing is not as exciting or
riveting as her father’s, that’s true, but then that
judgement can apply to eighty per cent of
all mystery writers. It doesn’t mean they’re
not worth reading.

Please take some time to visit my website:
www.stillmanbooks.com
for thousands of quality books.

Remember, the only book purchase you’ll
ever regret will be the one you didn’t make.

Talk soon.

STARTING A BOOKSTORE: WHAT’S POSSIBLE?

September 15th, 2008

Someone asked me today for my opinion:
assuming it would be possible to rent an 800-
1100 sq. ft. store in a medium-size city in
Canada for $1500 to $1800 a month plus
utilities, would it be reasonable to expect
that at the end of one year, a bookstore’s
sales could be at least $4000.00 a month?

My answer was: assuming you were fortunate
enough to find a location with sufficient walkby
traffic (and it would have to be at least 1000
sq. ft.) for $2000.00 including utilities, yes, in
one year, you could be doing $4000.00 or
more a month in sales. If you’re not, then you
won’t be making any money.

Of course, there are a lot of factors involved
in this speculation. How much experience, if
any, does the person have selling books? How
much experience does the person have buying
books–because they are two different things. How
many employees are going to be needed and
for how many hours? Besides General paperback
and hardcover stock, would there be a specialty
or two to attract collectors?

Ten years ago, I would have said unequivocally
that given the parameters, a person with some
experience buying and selling books would
have no trouble making a success of a bookstore
for used books. I was doing it with 900 sq. ft.
and a rent of $1000.00 in a less-than-affulent
part of Vancouver, B.C. Today, the game has
changed in some respects, and the answer is
not so cut-and-dried.

I would appreciate your opinions on the subject
and your personal stories if possible regarding
your success, or failure, in starting a small bookstore.

Next week, I’m going to begin reprinting here
(with some updates) my serialized book in
AB Bookman’s Weekly in the mid-1990’s on the
subject of setting up and operating a
used bookstore, so stay tuned.

Please visit my website for over 3000 hand-
picked special books:
www.stillmanbooks.com

Remember, the only book purchase you’ll ever
regret is the one you didn’t make.

Talk soon.

Mysteries for Everybody!

August 28th, 2008

When I had my bookstore in Vancouver,
except for the last couple of years, I had a
substantial mystery/detective fiction section–
usually over two thousand paperbacks and
about five hundred hardcovers. But then,
in the ’80’s and ’90’s, people who didn’t
already know the authors they were looking
for and were asking for advice would have
a choice of English or American, male or
female authors? Then I could recommend two
or three writers they could try. That’s all
changed today.

Sure, even twenty years ago, readers could
ask for mysteries by that English jockey or
that American P.I. who lived on a houseboat.
But there wasn’t the astounding selection of
private detectives that there are today. It seems
that every new mystery writer in the last ten
years has tried to carve out their own little niche
with a kooky hero or heroine to match.

Books for catlovers were quite the craze for
a while, and authors such as Lilian Jackson Braun,
Carole Nelson Douglas, Rita Mae Brown and Linda
Adamson happily obliged. Ellis Peters began her
medieval England series with Brother Cadfael, and
historical mysteries jumped to the forefront, with
offerings from a whole host of writers such as
Paul Doherty and John Maddox Roberts writing
about ancient Rome; Leonard Tourney writing
about Elizabethan England; plus mystery-solving
archaeoligists from the pens of Elizabeth Peters,
Lyn Hamilton and Val Davis.

Horseracing mysteries have been well-covered of
course by Dick Francis, Stephen Dobyns and
John Francombe. Bookstore owners Annie Darling
and Cliff Janeway solve mysteries at the bidding of
Carolyn Hart and John Dunning respectively. Forensic
anthropologists Temperance Brennan (Kathy Reichs)
and Kay Scarpetta (Patricia Cornwell) are more
adept at solving mysteries than their police counterparts.

Okay, so far, not so bad. I’ve read books by all of
the above authors and enjoyed them. I guess my
(mild) complaint is with the newer brand of “boutique”
mysteries. We have a choice of detectives now from
the vocations of: food writers (Angie Amalfi and Monsieur
Pamplemousse); caterer (Goldy of Goldilocks Catering);
bed-and-breakfast proprietor (Judith McMonigle Flynn);
newspaper publisher/editor (Emma Lord); bounty hunter
(Stephanie Plum); fisherman (retired dentist Doc Osborne);
ex-lawyer and herbalist (China Bayles); glassblower
(Sarah Atwell); and someone has even turned real-life
children’s book author Beatrix Potter into a detective
in the Cottage Tales series. Read a mystery and learn a
trade at the same time!

If you thought you’d never enjoy reading mysteries,
I think all of your excuses have gone out the window.
There’s a mystery out there that’s tailor-made just
for you. Simply match up your favourite interest or
hobby with an amateur detective who shares your
passion. And, if you can’t find that special mystery
series that’s just right for you, then write one.

Please take some time to visit my website:
www.stillmanbooks.com

Remember, the only book purchase you’ll
ever regret is the one you didn’t make.

Talk soon.

Book Reviews

August 21st, 2008

Book Review of “Kill Me” by Stephen White

I’ve read several Stephen White books over the years,
but this is the first story where psychologist Alan Gregory
is a secondary character.

White’s rich protagonist, who narrates the story, has a
potentially fatal skiing accident and starts thinking
about how he would feel if he ever became physically
or mentally incapacitated by another such accident or by
a serious medical condition. He decides that he
couldn’t handle it and would prefer to avoid months or
years of inactivity and helplessness.

So, when a friend tells him that he knows a guy who
knows a guy who can put him in touch with an
organization that will contract to end his life once a
certain threshold of sickness has been crossed, then
our rich protagonist loses little time in arranging the
substantial payment that will guarantee his own death
should certain circumstances occur.

This is a thrilling read, based on a moral and controversial
issue. Many people today come down on the side
of euthanasia and assisted suicide, but what if after a
certain point you had no choice, you couldn’t change
your mind, the action was going ahead despite a
reconsideration on your part? Perhaps you’ve decided
that here’s still something you feel you must do, or
complete, before your life is taken, but the contract has
been signed, you’ve crossed the agreed-on threshold–
the client-determined parameters–and the wheels
are in motion.

White’s protagonist has a dilemma, but with some help,
he arrives at an acceptable solution.
Great story!

Review of “A Philosophical Investigation” by Philip Kerr

The year is 2013. The place is London.

The first of two problems I had with this novel was that
it was published in 1992, but I didn’t read it until 2008.
Sixteen years after publication, and only five years before
the setting of the story, meant that any revolutionary,
futuristic advances in technology weren’t really very
surprising, and/or believable from this advanced
perspective. This is not the author’s fault really, but
it is always a risk writing about the future.

In 2013, the two main changes in society are:
“punitive coma”, wherein murderers and rapists are
put into a drug-induced coma instead of being
executed or becoming a drain on the public purse
for twenty or thirty years; and, the availability of a
“reality approximation machine” for you living room,
complete with protection gear for your exploits,
be they sexual or safari.

The crux of the story lies in the supposed discovery
that the brains of some males lack a Ventro Medial
Nucleus (VMN) which acts as an inhibitor to the
Sexually Dimorphic Nucleus (SDN), a preoptic area
of the male human brain which is the repository of
male aggressive response. The government in
England has identified the men who lack the VMN
and offer them counselling to control aggression.
This group of men are given pseudonyms which
happen to be the names of famous philosophers.
Our criminal is known only as “Wittgenstein” and
he displays many of the traits of the real Wittgenstein.
Except, this Wittgenstein decides it would be a
rather good idea to kill off all the other “philosophers”
in his group, for the good of mankind.

Of course, there is much philosophical discussion
and justification offered; which brings me to the
second problem I had with this book: too damn
much philosophy!

The premise of the story was very good, very
intelligent; and, I liked the female police investigator,
who was very good at her job. But really, for a
simple bloke like me, there was just too much
thinking involved. I have a feeling many readers
would agree with me.

Please take some time to visit my website:
www.stillmanbooks.com
for thousands of quality books.

Remember, the only book purchase you’ll
ever regret will be the one you didn’t make.

Talk soon.

The Romance of Bookselling

August 10th, 2008

Hi Everyone!
I hope you don’t mind, but for this week’s blog posting,
I’ve decided to rerun an article that I wrote back in
October, 1997, when I was still operating my
bookstore in Vancouver, and just getting started
on the Internet. I’ve copied the article here verbatim
so please, as you read it, keep reminding yourself
that it’s describing a situation–a time capsule moment
if you like–from eleven years ago.

The Romance of Bookselling

I was just musing on the way to work one day: “What
occupation could be more romantic than bookselling?” I am
not talking here of the heartfelt feelings between
soulmates, but rather that which appeals to fancy and
the imagination. How many people in the Western World
fantasize about owning their own bookstore? A very high
percentage I would venture. The realities of life prevent
a great many of these people from fulfilling their dream,
but nevertheless the dream persists.

Almost anyone can go into the book business. A person
may have only a Grade Eight formal education, another
person may be the proud possessor of a P.H.D., and there
are many other levels represented in between. Education
is not the main prerequisite…what one requires instead
is a “love of books” and a “love of reading”. And, I guess
a “thirst for knowledge” could be thrown into the equation,
for, regardless of the level of formal education achieved,
the people in the book business tend to have backgrounds
of voracious reading. And it is from reading books that you
learn of more books; these books you must also read. From
reading books follows the desire to possess the books, and
from possessing a fine library sometimes follows the desire
to help other people possess a fine library as well.

Personally, I’ve been buying and selling books for
twenty-six years. I began on a part-time basis while
working as an advertising copywriter in Toronto in 1971.
At that time, I was buying books mostly for my own interest.
However, it quickly became apparent that I could buy other
books and sell them to people who couldn’t or wouldn’t
take the time to look for their own books. These people
were mostly friends and co-workers and my resale business
was definitely small-scale, but it did help to finance
my own purchases. A few years later, after moving to the
West Coast, and accumulating many more books, I began
producing catalogues of Children’s Books and Detective
Fiction. I advertised in the AB(Bookman’s Weekly) to
acquire customers and continued selling books by mail
for three and a half years. In December, 1981, I bought
an existing bookstore in Vancouver, B.C. and I have had
a retail used bookstore ever since. For the first two
years, I worked as a technical writer for B.C. Gas and
hired personnel for most of the store’s opening hours.
A marriage break-up was my impetus to quit my regular
job and go full-time into the bookselling business.

In my fourteen years of full-time bookselling, I’ve
not once earned the amount of money that I made the last
year of having “a real job”. But then, I’m not in the
business to make a lot of money. Sure, it’d be nice to
start pulling down forty or fifty thousand dollars a
year for myself from selling books. I have to admit
that I’ve probably done a little day-dreaming to that
effect, and I know that there are some booksellers
making that kind of money and more. But, realistically,
I’ll probably always make only a modest income, and,
realistically, most booksellers in North America and
Europe can probably expect the same. However, the
important thing to remember? I, and thousands of others,
achieved a dream, a romantic dream of buying and
selling books for a livelihood, meagre or otherwise.

Today, it’s far easier for booklovers to join the
book business on a part-time basis. Some still go to
the great effort of producing catalogues of books for
sale and trying to build a mailing list of customers
for these catalogues. But, the numbers for this group
of people are quickly declining. The reason, of course,
is the advent of the Internet, the World Wide Web of
shopping possibilities. Literally thousands of book
buyers and collectors who never seriously considered
selling their books can now set up an internet book
business without much difficulty.

To my mind, every book collector is now a potential
bookseller, if only in the narrowest sense of the word.
Selling only a dozen or two books a year on a retail
basis would qualify a person as a bookseller. Previously,
these people would have simply traded or sold back
unwanted books to their regular bookdealers in town.
I, personally, know of two lawyers and a CGA in
Vancouver who buy and sell books part-time, all using
the Internet. Up to a couple of years ago, these people
were content to be book collectors. Now, they are each
partially fullfilling their romantic dream of being
a more intregal part of the bookselling business than
just the receiving conduit. If you spend some time on
the Internet, you will encounter thousands of these
new entrepreneurs. One reason, of course, is that books
are a natural product for sale on the Internet.

Many people ordering books from the Internet used
to order from dealers’ catalogues, even other dealers.
Most people selling on the Internet adhere to a
standardized set of descriptive terms for their books
and so the buyer is still fairly confident that what
he or she is ordering is going to arrive as described.
There are some exceptions, as we all know, but even
these sellers who seem to have difficulty in accurately
describing a book’s condition and edition are, in most
cases, very good about accepting returns and issuing
refunds. If they’re not, they may be crucified by
buyers and sellers alike in very short order.

Shipping of books is not usually too difficult.
Unless you’re fortunate enough to get a gigantic order–
let’s say all your books in a particular subject area–
then you won’t have much difficulty getting a few
orders to the local Post Office and sending them on
their merry way. If you did have a gigantic order,
I’m sure you wouldn’t mind the extra trouble to ship,
even to Timbuktu! Cost is not prohibitive for
shipping books and is usually cheerfully borne by the
buyer. On expensive items, the seller can often
absorb the cost. American booksellers have an edge on
their Canadian counterparts here. For one thing, the
cheaper surface mail rates in the United States are
about a third less than in Canada. Secondly, Canada
charges Goods and Service Tax(GST) on incoming packages
(usually with a twenty dollar or more declared value).
The Customs people assess the GST amount to be
collected, then the Post Office gets an additional
$5.00 for collecting the GST…that can get really
irritating and cost-prohibitive on single book orders!
For this reason, when ordering books from out of the
country, Canadian bookdealers, and even collectors,
should make sure that they inform the seller not to
overstate the value of the book(s) on their declaration
form.

Once a bookseller has obtained access to the
Internet–an Internet Service Provider charges about
thirty dollars a month in our area–he or she can set
up a Web Site fairly inexpensively and list various
categories of books on there for sale. The secret of
any degree of success here lies in how well the
bookseller establishes links to other sites (i.e.
lists of retail and antiquarian booksellers) and relates
as well to the number of Search Engines the bookseller
has registered with. If no one can find you, they sure
can’t buy from you. Updating the site on a regular and
frequent basis is also important.

By far, the most popular and most productive way
to sell books on the Internet would seem to be through
the various Book Matching Services. I deal with “Advanced
Book Exchange” (ABE), but there are several others,
including “Interloc”, “Bibliofind” and “Bibliocity”.
The idea here is to upload the titles and other
information about your books into the Data Base of the
Service and the Service matches your books with the
wants of people who are searching the Services for
those particular books. Once advised of the details and
availability of the book, the customer can go ahead
and order the book directly from you. The rates charged
for this service by the various companies is nominal,
especially if you are listing large quantities of books
with them.

Like most things in life, what you put into your
Internet business, in terms of time and effort,
determines what you get out of it. After nine months,
I still only maintain about five hundred titles in
ABE’s Data Base. This amount of participation nets me
a couple of sales a week, or about two thousand dollars
in sales over about nine months. Add approximately
another five hundred dollars from other types of Internet
sales for a total of twenty-five hundred dollars.
Condidering the cost of the books, the cost of operating
on the Net, as well as the many hours I’ve invested,
I’d have to say that so far the experiment has been
financially unsuccessful. However, the most important
thing to consider, I think, is that I’ve had the
experience, and I can see a definite upside potential
for this selling tool if and when I’m ready to spend
more time and list a couple more thousand books for sale.

I know of two other booksellers, neither of whom
have a storefront business, who maintain about three
thousand titles for sale on ABE. They both say that
from these listings, they get two or three sales a day.
I know another bookseller who operates a large store
and pays someone to just list books for sale on ABE
and handle all work pertaining to these sales. He told
me in August, 1997 that his Internet sales alone for
June and July were seventy-two hundred and seventy-
eight hundred dollars. Mind you, he maintains about
six thousand titles for sale on ABE. As I said though,
this tends to show the upside potential of Internet
selling. You may want to jump in and try it yourself.

Having said all this and given a cautious
endorsement of Internet Bookselling, I have to ask:
“Is there really much romance in that?” My opinion
is “No”. For me, the Internet is just another tool
for selling books and I’m willing to put a finite
amount of time into it to perhaps attain as much
as twenty per cent of my overall sales from that
source. But I run a five-day-a-week open bookshop
that also requires a lot of time and from which
I reap a great deal of enjoyment. It is indeed a
romantic way of life and I look forward to coming
to work every day. Wednesdays I scout other stores
for books and make housecalls to look at and
possibly buy private libraries. That’s even more
fun than being in the store!

For those people who have started selling
books on the Internet part-time, I do hope that
you go all the way some day and open your own store.
If you’re enthusiastic about books then you won’t
attain the ultimate “Book High” without having
your own open bookshop. There’s nothing to compare
with the self-satisfaction you’ll feel when you
unlock your front door and enter your warm, cosy,
book-lined shop every day and prepare to open
for business. You’ll soon develop your own regular
routine: you turn on the lights, get out your
“float”(the money for your cash drawer), turn on
the computer, go “on-line” to collect your E-mail,
and while that’s getting downloaded, you can
go through your regular(”snail”) mail. There might
be a couple of cheques…that’s always nice. If
so, you’ll have to plan to pack and ship those
books today. There might be a couple of dealer
catalogues…you’ll have to set aside a little
time to read through those in case there’s something
you can order for a customer, or even for
yourself. Just because you sell books now doesn’t
mean that you can’t still take some home for
yourself! Your computer’s telling you that you
have “new mail” so you can quickly run through
the “subject lines” to see if you have any orders.
If so, while you’re still on-line, you can
answer the requests to confirm that the books
are available and that you’ll hold them pending
receipt of the customer’s cheque for X dollars.
Now, get off-line and put out your “OPEN” sign.
You’re ready for business.

I don’t think there’s one day now that goes
by wherein I don’t have books to price that I
bought the day before, or the day before that.
There seems to always be a backlog now. But that’s
fine; I think that’s one sign of a healthy
bookstore. After you’ve had a bookstore for a
few years, you’ll have certain people, bookscouts,
who’ll bring books to you every week, as well as
all the other people who saw your Yellow Page ad
or were recommended to bring certain books to
you by other dealers. This is especially true if
you specialize in one or two subjects.

The thrill of your day will be when someone
comes into your store who has never been there
before. Perhaps they’ve overlooked you until
now or they are from out of town. They say what
a wonderful store you have and comment on what
an interesting selection of books that you have;
then, if they’re really sincere, they pay you
the best compliment of all: they buy a book.
This deserves more conversation, and you might
spend several more minutes talking with them
about various books. They leave but promise to
come back.

Over the next couple of hours, a few of
your regular customers come into the store,
some to pick out something new and discuss
the weather and last night’s hockey game or
baseball game. A couple of your regulars have
come in because you called them to pick up
a book or two that you have found for them.
They fondle the books unashamedly and thank
you profusely. You love this part of the
business. One or two friends come by and
you close down for half an hour and join
them for lunch at the pub around the corner,
leaving a note on the door saying where you
are and when you’ll be back. One of your
customers may come and find you there, chide
you about being away from your post and
join you for a coffee. Yes, it can be such
an idyllic life.

About mid-afternoon, there’s a call from
someone who is the Executor for an estate.
There’s an entire room full of books and the
out-of-town relatives don’t know what to do
with them. Can you come and look at them,
and perhaps take them away? It’s the kind of
call that you live for now. With a few questions,
you determine from the caller that there
would seem to be some worthwhile books and
you set an appointment time to call and look
at them. How about this evening after I close
the store? Perfect. No sense wasting time,
especially when your blood is already pumping
faster in anticipation.

Making “House Calls” is the most exciting
part of being in the used book trade. Nine
times out of ten you’re going to be disappointed,
but that tenth call often makes it all worthwhile.
You go into the room and you give the shelves
a quick once-over. The hard-cover spines of many
books that you recognize leap into your vision,
as well as many books that you don’t recognize
instantly but nevertheless have the look of
quality. It’s your “Book High” of the month.
Enjoy it. You tell the Executor that the Library
looks promising; there are definitely some books
here that you would like to buy. “Give me an
hour and I’ll tell you what we have.”

If it’s a collection of books that contains
a great number of books that you know you won’t
want to put on your store’s shelves for one
reason or another, then you should separate as
you go through the books and make your offer on
only the books you can use. If, after a quick
initial inspection, you think you can use most
of the books, then you can go through them as
quickly as possible, doing an overall estimate
as you go and come up with a collective assessment
on which to base your offer. As you go from shelf
to shelf you’ll see individual books that you
automatically associate with particular customers
and you look forward to contacting these people to
tell them of your latest find for them. Soon
you’re writing the cheque and bringing in fourteen
or fifteen boxes from your vehicle to start
packing up. In the book business, it’s advisable
to have a van or a station-wagon for these
situations. Perhaps for this particular buy,
you’re going to have to make two trips. You’ll
be eating your dinner late tonight, but it’s
going to be worth it!

The next day brings the second-best part
of this exercise: you get to unpack the boxes
one by one and price the books, setting aside
the volumes that need a little repair or special
research. This is a very enjoyable part of the
book business and I confess that I tend to
linger over it, especially enjoying the feel
and look of certain wonderful books and marvelling
that I actually have them there in my hands.
This is also a dangerous time, when you might
begin making a too-large pile of books to take
home. “Come on”, you scold yourself, “you can’t
take all the good ones home. You have to sell
some of these books to stay in business!” I force
myself to be very selective.

Because most booksellers like myself don’t
have a lot of money to tie up in stock for long,
we rely on steady cash flow to keep going. Thus,
every major buy(to me that would be any purchase
over five hundred dollars), becomes an immediate
game of “get-back-the-money-as-soon-as-possible”.
I price the books that fall within my specialty
areas, Children’s/Illustrated Books and Aviation/
Military/Naval and I get out my file cards for
my customers in these areas and inform them that
I have new stock, come in and see it. If you’re
as fortunate as I am, then several customers
will respond within the next few days and you
will get most or all of your investment back
right away. Then, the rest of your great new
stock is on your shelves for nothing and it will
provide your profits over the next weeks or months.

Sometime during the day, often shortly
before closing time, I’ll sit in my store and
look around at the thousands of books packed
row on row and just reflect on how lucky I am
to have such a store, such a business, such a
life. It’s a good life and I love it. Am I a
romantic or what?

Please feel free to make a comment about
bookselling, perhaps even your experience as
a bookseller, or your desire to become one.

When you have a little time, please check my
website at : www.stillmanbooks.com

Remember, the only book purchase you’ll
ever regret is the one you didn’t make.

Talk soon.

Building a Book Collection– Part III

July 21st, 2008

Some Inexpensive Options

Okay, you’ve chosen what type of books that
you want to collect, and you’ve narrowed the
field to a few authors or illustrators of a
particular era. You’ve even started making
your first tentative purchases.

Good for you! You’ve made a positive
beginning and you’ll soon be able to say that
you have a book collection at home. As you
venture forth, I can only reiterate that you
should always try to buy the best copies
available. They’re the ones that will hold their
value and hopefully increase in value within
a few years. Ignore the poor-condition books–
those with major damage from water-staining,
or those missing an illustration, or even an
endpaper–even if they are prime titles that
you need for your collection. Don’t bother
buying a Poor or Fair copy now with the
intention of replacing it later…force yourself
instead to wait for the VG to Near Fine copy;
it will turn up. Don’t buy Ex-Library copies,
even if the seller is telling you it’s “Near Fine”.
Honestly, where do some of these freaks
get their grading information!

Best of luck to all of you collectors who have
just made a start. Keep doing your research,
and keep looking in bookstores, in thrift stores,
at garage sales and online. You never know
when a book will show up and you have to put
yourself in position to spot it when it does.

When you’ve acquired forty or fifty, or a hundred
books–it depends on what level you’re buying at–
and you think the value is approaching $10,000 to
$15,000, you should think about having a reliable
bookseller appraise your collection for insurance
purposes, and add a rider to your home policy.
Reliable, experienced bookdealers usually
charge about $75 to $100 an hour (minimum
one hour) to appraise collections. If you have less
than a hundred books, the appraisal will probably
only take an hour or two, particularly if the dealer
is quite familiar with the type of books you collect.
He or she will give you a written or typed
appraisal on business stationery which you can
take to your insurance agent.

I recall a customer of mine asking me to do an
appraisal of his book collection. I had sold a few
dozen illustrated books to him over a period of four
or five years–some of them fairly expensive books–
so I told him I would do a free appraisal. You may
also get into a position where you’ve made a
considerable number of purchases from one dealer
that you trust, and perhaps you’ll get a free appraisal
as well. In this case, I went to the customer’s home
to value his books and I was looking forward to
seeing what other books he had acquired. To my
surprise, this customer had a collection of just fifty-six
books which, as I recall, I appraised at just over $25,000
for replacement value. The surprise was that I had
sold fifty-five of the fifty-six books to him, one being
a gift.

Now, some advice for you booklovers who want to
start a book collection but you don’t have a lot of
disposable cash. What can you possibly collect that’s
worth collecting? I can suggest a few options.

With the onset of the Internet, prices for First Edition
fiction plummeted, particularly books published within
the last thirty years. This doesn’t mean that you can’t
still collect modern bestselling fiction, detective fiction
or science fiction and fantasy. Get out your handy
“Pocket Guide to the Identification of First Editions”
and make sure you’re actually buying the true first
editions. Try to put together the entire output of two
or three authors to start with. If it’s a British author,
buy the British firsts, if it’s an American author, buy
the American firsts. When possible, buy
first editions that have been signed by the authors.
Failing that, watch for visiting authors to your city,
and try to get your copies signed if the author turns up.
Remember, in this genre, you have to buy Fine copies
in Fine dust-jackets.

You may choose to buy First Editions of Canadian
Literature authors. A friend of mine has over two
thousand titles, mostly by Canadian authors and
mostly signed…an impressive and valuable collection.
By hard work and diligence, he was able to acquire
this collection at a nominal cost and get most of the
books signed in person.

A good way to begin collecting is to choose a favourite
book from your childhood, a book that has been
popular for decades (or even up to a hundred years
or more) and has been published in many different
editions. Some prime examples might be “Alice in
Wonderland”, “Aesop’s Fables”, “A Child’s Garden
of Verses”, “Pinocchio”, the “Mother Goose” and
“Nursery Rhyme” Collections, or, the Fairy Tale
Collections of Hans C. Andersen or the Brothers
Grimm. You might acquire the books of a
particular author you liked, such as Enid Blyton, who
wrote the popular Adventure Series (Castle, Mountain,
etc.) and the Noddy books; or the textless books of
John S. Goodall.

You could also collect a certain type of children’s
book such as ABC books, Pop-Up Books, or
books on Folktales, Myths and Legends. Really,
the possibilities are almost endless. Take a good look
at my website, where you will find examples of all
of the books above. Search for other booksellers
in your area and see if they have their own websites
with catalogues of books for sale. You’re bound to
find exactly the types of books you were looking
for, even if you didn’t know it yet.

Good luck to all you new Book Collectors!

Please visit my website for quality offerings:
www.stillmanbooks.com

Remember, the only book purchase you’ll
ever regret is the one you didn’t make.

Talk soon.

Building a Book Collection—Part II

July 12th, 2008

Cautionary Tips for Buying

Let’s say you’ve decided upon a genre to
start collecting. It may be 1st Edition English
mysteries published before 1960. This may
include R. Austin Freeman, G.K. Chesterton,
Dorothy Sayers, Michael Innes, Agatha Christie,
plus a dozen or so other popular and collectible
mystery writers of the period.

Or, you may have chosen to collect women
children’s book illustrators from 1900 to the
1970’s. Some highlights here would be Beatrix
Potter, Jessie Wilcox Smith, Mabel Lucie
Attwell, Margaret Tarrant, Anne Anderson,
Cicely Mary Barker, Honor C. Appleton, and
even Lois Lenski, Tasha Tudor and Marie Angel.

First editions of these books and others can run
into the hundreds and even thousands of dollars.
If you’re serious about collecting in a highly
collectible and competitive field, you have to
know your prices, and you have to know just
what makes these books expensive.

If you’re collecting books in a field that is
“edition sensitive”, that is to say, the value of
the true first edition far outstrips the value of
the second and later printings, then you had
better learn how to identify a first edition.
Unfortunately, the publishers did not make
this easy for collectors. They did not conform
to any one or two common methods, but
pretty much just did their own thing. I
recommend obtaining a guide to first edition
identification. One that I’ve used for years
and through several editions is Bill McBride’s
“A Pocket Guide to the Identification of
First Editions”. Bill lists over 3000 English-
language publishers and their methods of
identifying first editions, including when they
changed their methods (which several did).

Bill also publishs a helpful book on “Points
of Issue”. The difference of a first edition,
first state, identified by one or two points of
issue, could mean several hundreds of dollars
difference from the first edition, second state.
Contact Bill at: McBride/Publisher .
56 Arbor Street . Hartford CT 06106
860-523-1622 . bill@firsteditionguide.com
For about $16 plus shipping, this could be
the most valuable book you’ll ever buy.

Some early publishers of children’s books
may not even show up in an identification
guide and their methods really have to be
learned from experience and more research.
Look to experts in the field for information
that they have acquired over decades of
selling children’s books: people like Jo Ann
Reisler in Virginia, Justin Schiller of New
York, Helen and Marc Younger of Aleph-Bet
Books in New York State, and even myself.
You can find many more specialist dealers
by searching on Google or Yahoo.
Check their websites–you’ll learn a lot
from every visit. You might send an email
outlining your initial collecting goals and
ask what they might suggest to start.
Professional booksellers are willing to
help you begin, but don’t be a pest, and
do buy a book or two to show you’re serious.

When you’ve decided what genre to
collect, visit the local bookstores in your
town or city and browse their sections.
Ask questions. If the bookseller doesn’t
seem to know much about the books you
want to collect, try another bookstore, or
google specialists on line. For Arctic and
other early exploration and travel books,
you might check the inventories of Aquila
Books in Calgary or Helen Kahn in
Montreal. For the best selection of books
about book collecting, book history and
the book arts, contact Oak Knoll Books
in Delaware. For extensive holdings of
early Canadiana, try David Mason in
Toronto or Macleod’s in Vancouver.

When you’re just starting a book collection
it really pays to pick the brains of the
experts, at least until you get on track and
make those first few important purchases.
Go with well-known and established
booksellers for quality of product and
information. Also do as much research as
you can on your own. Then you can start
looking about for bargains in other bookstores
and online with places like ebay. I’ve made
many good purchases on ebay and off-ebay
with ebay sellers, and you can too, but be
cautious and to begin, stick to sellers with
extensive and impeccable selling records.

That’s all for this week.

Please visit my website for children’s books,
aviation, military, sea/naval, Canadiana
and more:
www.stillmanbooks.com

Remember, the only book purchase you’ll
ever regret is the one you didn’t make.

Talk soon.

Building a Book Collection—Part I

July 4th, 2008

Where to Start?

Whatever your age, whatever your financial means,
you can begin to build a book collection.

Nearly all readers–except those people who rely
wholly on the library for their reading–buy books
that they want to actually read, mostly for pleasure,
sometimes for knowledge. If you keep these books
in a visable, accessible place in your home, you may
be inclined to say that you are a book collector,
but what you probably have is a personal “reading
library”. Building a book collection takes a little
more thought and planning.

Firstly, most book collections are composed of
books that reflect the collector’s main interest(s).
Perhaps you’re extremely interested in World War
II. Does your interest focus on aviation, land
battles, or the navies of the Allies and Axis countries,
or all three of the armed services? Perhaps World
War I, medieval warfare, the American Civil War,
the Napoleonic Wars, or even modern warfare is
more your preference.

You may have a keen interest in a hobby such
as gardening, painting, or music. Your profession
may be in science, medicine, law, architecture,
even farming and bookselling. You can collect
books on all of these subjects.

Are you enthralled by the many amazing children’s
book illustrators over the past one-hundred-and-
fifty years? Are you familiar enough yet to favour
any particular era of illustration, be it Victorian,
early 20th century, between the two Great Wars,
post-WWII and 1950’s, the ’60’s and ’70’s, or
the modern period of 1980’s to present?

If you are of modest means, you may have missed
the boat in terms of buying original editions of books
illustrated by the top children’s book artists in the
late 19th and early 20th century. If you enjoy
the work of Kate Greenaway, Walter Crane,
W. Heath Robinson, Arthur Rackham, Edmund
Dulac, Kay Nielsen and their many talented
contemporaries, you may still seek out much of
their output in later printings, some published as
late as the 1980’s.

If you have considerable disposable income for
collecting illustrated books, or first-edition literature,
then your possibilities are endless.

Once you decide to collect–be it children’s
authors or artists, military books, gardening books,
sports books, art books, books on games,
whatever–the first rule should be to focus. Choose
your genre, then choose your sub-genre. It may
be first edition books by American authors of the
1920’s and 1930’s. It may be English gardening
books from the 1880’s to the first World War;
or English true crime books from 1880 to the
second World War; or American gangsterism;
or all the first editions of Edward Gorey (that
might be a sub-sub-sub-genre). Start somewhere,
but use some sensible parameters. Secondly,
think about a budget. Can you afford a hundred
dollars a month, two hundred a month, ten
thousand a month? Set some sensible financial
parameters as well.

Check in next week for Part II of the series,
“Cautionary Tips for Buying”.

Book Review of James Lee Burke

For just plain old sittin’ and sippin’ on Sunday
afternoons or pre-lights-out bedtime reading,
one of my top ten authors is James Lee Burke,
mainly because he’s such a damn fine writer.

I just finished “Last Car to Elysian Fields”,
published in hardcover in 2003 and in paperback
a year later. (By the way, don’t expect me to
review new releases…afterall, I sell used books
so I read used books!) Burke’s mileau is New
Orleans and its colourful surroundings. His
protagonist is Dave Robicheaux, sometime
policeman in New Orleans and in New Iberia.
Dave’s got issues, tends to try to solve
frustrating situations with violence, has an even more-
violent sidekick and ex-partner, Clete Purcell,
but is, nevertheless, a moral, standup guy who
you could look to for help.

As often happens in Burke novels, the solution
for current murders lies buried in the past.
Robicheaux investigates the disappearance of
R&B guitarist and song-writer Junior Crudup
who ended up a victim of the corrupt penal
system in Louisiana in the 1950’s. Officially,
Junior never died in prison and there was no
record of his release. Robicheaux suspects
that someone had him killed, and that person
figures into the more recent murders. Add
into the mix the odd and intricate relationship
building between a Catholic priest and a
New Orleans hitman, a married ex-lover of
Robicheaux, the angry father of one of the
three teenage girls killed in a car crash because
they were able to buy illicit mixed liquor at
a roadside stand (owned ultimately by
Robicheaux’s rich main suspect), a cast of
minor questionable characters, and you’ve got
another captivating Burke story that never
lets up, nor follows a straight path to its
denouement.

For those who have never read James Lee Burke,
I offer this example of his writing:

“Ordinary people sometimes do bad things. A
wrong-headed business decision, a romantic
encounter in a late-night bar, a rivalry with a
neighbour over the placement of a fence, any of
these seemingly insignificant moments can initiate
a series of events that, like a rusty nail in the
sole of the foot, can systemically poison a normal,
law-abiding person’s life and propel him into a
world he thought existed only in the perverse
imaginings of pulp novelists.”

Now, if I recall correctly Miss Forsythe’s
instruction in Grade 9 English, that’s what is called
“foreshadowing”. And, indeed, that paragraph
did foreshadow some rather black events.

Read James Lee Burke because he’s a fine
storyteller as well as an educator.

I’d appreciate it if you’d take a little time to
review the many collectible books available
for purchase on my website:
www.stillmanbooks.com

Remember, the only book purchase you’ll
ever regret is the one you didn’t make.

Talk soon.